Having secured some great pictures with John Michaelson, we were faced with the challenge of trying to capture the theme and content of his book in just one image.
We trawled through some of John's own images on the London Vampire Flikr account and suggested those below to him below:
This image had the right darkness and colours but had nothing distinguishable about London. John said it was taken between the Strand and Covent Garden, but didn't say much more other than that there is no longer any scaffolding there.
This image is taken from Highgate Cemetery, but John was keen to stress that he was not trying to create a spin-off of the Highgate Vampire phenomenon. We both agreed that it was a great image.
This image is a bit of a mystery. The angles and light create interesting tones and it's quite creepy and significant in some way. We're not sure where it was taken, but the problem was that if we cropped it to a book cover it would look too bright and lose the impact we wanted it to have.
John used this image on his Facebook and we thought it was quite morbid and perhaps significant. The problem, however, was that we would have to significantly edit and manipulate to add the right level of gloom to match the novel.
We know that this image is significanat and linked to Camden, which features in the latter part of the book. Again, John wouldn't say much more than what we figured, but it lacked the level of fright needed to match the tone of his story.
The image above is not far from the type used in generic thrillers and crime novels. However, we felt we were straying away from the fact that the novel is in London, something we were really eager to convey to international audiences.
The perspective is there but the the threat was not. Apparently this was the type of alleyway Jack the Ripper would stalk in Victorian London.
Overall, nothing quite did it for us. We went back to the drawing board and were planning to reshoot pictures of the capital, when we decided to review the images taken of John near Trafalgar Square and, by chance, found the image that sent shivers down our spine. It meant significantly cropping to remove John from the image, which meant a drop in definition, but somehow it just worked.
Front
We hope you agree that malice and threat is clearly represented in the cover. The red fountain, which is not perfectly reflected, is - in our opinion - such a powerful visual metaphor which exemplified John's fight against a murky underworld beneath the sparkling city of London. Even John was complimentary, which for us was saying something.
Back
And as for the back cover, we persuaded John to let us use one of him sat on St-Martin-in-the-Field. Not only is the image subtle, but it summed up the experience of the photo-shoot, that he remained unseen, not even attracting attention from the majority of night-crawlers. In fact, only when we finished editing the cover did we realise that we had managed to include a London bus, a black cab, an art gallery, a church and a significant monument - not to mention The London Vampire himself. Not bad, we thought. We hope that you agree.
October's Son: The London Vampire Diaries is available from 27th October 2014 from all good book stores and online.