Complete Darkness is Nearly Upon Us

Burton Mayers Books are proud to announce that on 25th October, Matt Adcock's debut novel, Complete Darkness, finally goes live.

Complete Darkness - going live across the world on October 25th

It's been a busy year, preparing for the coming darkness, but author Matt has been relentless in his drive to tell as many people, and organisations, about his book, even commissioning a national survey about Christians' belief in hell.  

You can read some of the articles by organisations who reported on his research at the end of this blog post, no doubt there will be many more after the book's release.  Not only that, Matt has been a guest at comic conventions across the UK, including TitanCon, Belfast 2019, and Scotland's Comic Con 2019.  Matt also picked up some interesting fans:

Just a regular weekend for Matt and his cosplay pals (Matt's the one on the right).

The book launch event, on 25th October at The Parcel Yard Pub, Kings Cross, promises to be a blast.  Matt will be introducing his book and has invited a priest, a satanist and a theologian to talk about people's questions about the afterlife.  A perfect start to any weekend!

The book has already been favorably reviewed by authors, but also across social media networks, blogs and websites who have been attracted to Adcock's genre-defying novel. Some have even posted trigger warnings due to the content of extreme violence, speculative demonology, worrying possible future scenarios, strong language, and lots of things Christians might thoroughly disapprove of.

However, all critics are in agreement that COMPLETE DARKNESS is an 'action-packed literary shock to the senses that mixes flights of comic fantasy with bouts of brutal violence, offering readers a spiritually-charged, cyber-noir thrill ride into a bleak and dystopian, patriarchal future, ruled by Satan himself.'

The book is available from all leading bookshops, including Amazon, Waterstones and Blackwell's. There is also a Kindle version of the book which has been fighting for number 1 in the spiritual and religious fiction chart since pre-orders became available in August.
Links where you can see more of darkness linked to the book:

https://horrortree.com/can-some-of-us-sense-hell/

https://www.goodreads.com/book/show/47575586-complete-darkness?from_search=true

https://christiantoday.com/article/complete-darkness-an-honest-review/133266.htm

https://www.premierchristianity.com/Blog/Most-churches-aren-t-preaching-about-hell.-But-loving-people-means-telling-them-the-truth

https://www.premier.org.uk/News/UK/Only-three-quarters-of-Christians-believe-in-hell-data-reveals?_ga=2.63461103.1115826492.1571651882-1578501195.1571651882

Adcock says there is a mystery around the concept of hell which makes it more difficult to understand and suggested more teaching on the subject was needed.

https://www.amazon.co.uk/Complete-Darkness-Darkmatters-Matt-Adcock/dp/0957338775/ 

October's Son - Cover Design

Having secured some great pictures with John Michaelson, we were faced with the challenge of trying to capture the theme and content of his book in just one image.

We shared the images with John and expressed our desire to use one of him wearing his mask on the front cover.  He was not keen on this idea and stressed that the mask was for public appearances only and that he does not want to be seen as a pantomime villain.  It made sense, since the book is very much about quashing the vampire myths.  We then considered something similar to what he tried originally from his website.

However, John did not have the original and disclosed that it was a found image he happened to come across during his research.  We traced the image down using the web to someone called Paul Cook, so credit due there for capturing such a creepy image.  We then realised that we didn't have many pictures of London without John in them, and with the October publication deadline looming, we began to panic.
We trawled through some of John's own images on the London Vampire Flikr account and suggested those below to him below:

This image had the right darkness and colours but had nothing distinguishable about London. John said it was taken between the Strand and Covent Garden, but didn't say much more other than that there is no longer any scaffolding there.

This image is taken from Highgate Cemetery, but John was keen to stress that he was not trying to create a spin-off of the Highgate Vampire phenomenon. We both agreed that it was a great image.

This image is a bit of a mystery.  The angles and light create interesting tones and it's quite creepy and significant in some way.  We're not sure where it was taken, but the problem was that if we cropped it to a book cover it would look too bright and lose the impact we wanted it to have.


   
John used this image on his Facebook and we thought it was quite morbid and perhaps significant.  The problem, however, was that we would have to significantly edit and manipulate to add the right level of gloom to match the novel.  

 

We know that this image is significanat and linked to Camden, which features in the latter part of the book.  Again, John wouldn't say much more than what we figured, but it lacked the level of fright needed to match the tone of his story. 

The image above is not far from the type used in generic thrillers and crime novels.  However, we felt we were straying away from the fact that the novel is in London, something we were really eager to convey to international audiences. 

The perspective is there but the the threat was not.  Apparently this was the type of alleyway Jack the Ripper would stalk in Victorian London. 

Overall, nothing quite did it for us.  We went back to the drawing board and were planning to reshoot pictures of the capital, when we decided to review the images taken of John near Trafalgar Square and, by chance, found the image that sent shivers down our spine.  It meant significantly cropping to remove John from the image, which meant a drop in definition, but somehow it just worked. 

Front

We hope you agree that malice and threat is clearly represented in the cover.  The red fountain, which is not perfectly reflected, is - in our opinion - such a powerful visual metaphor which exemplified John's fight against a murky underworld beneath the sparkling city of London.  Even John was complimentary, which for us was saying something. 

Back

And as for the back cover, we persuaded John to let us use one of him sat on St-Martin-in-the-Field.  Not only is the image subtle, but it summed up the experience of the photo-shoot, that he remained unseen, not even attracting attention from the majority of night-crawlers.  In fact, only when we finished editing the cover did we realise that we had managed to include a London bus, a black cab, an art gallery, a church and a significant monument - not to mention The London Vampire himself.  Not bad, we thought.  We hope that you agree.

October's Son: The London Vampire Diaries is available from 27th October 2014 from all good book stores and online.

http://www.amazon.co.uk/Octobers-Son-London-Vampire-Diaries/dp/0957338732